Gentleman by Givenchy (1974)



Nose: Paul Léger

I don’t know the current version of this gem, and given Givenchy’s descent into mediocrity of the past couple of dozens of years, I am not sure if I want to; but the vintage incarnation of Gentleman is by no means inferior to many other timeless vintage masterpieces – and I mean the true Olympus of those, next to Tiffany for Men or vintage Chanel Antaeus. I personally find Gentleman extremely distinguished, extremely high quality, and extremely unique, if not really innovative for its era. My review could (should?) really end here, but well...

The thing I find innovative here is above all the way the combo patchouli-vetiver is used in the composition, and the notes which Léger’s genius decided to surround it with. Basically, the “frame” here is an earthy-smoky texture rich in herbal, hay and woody-leather nuances, which is brilliantly paired with a traditional aromatic lavender-infused fougère bone structure (think of Azzaro pour Homme, although it came later) and a touch of  tangy and grassy citrus (similar to verbena). All of this surrounding then the true star of Gentleman, the patchouli-vetiver accord I mentioned above, which gets brilliantly enhanced by earthy, musky, smoky and sweet nuances; the dampness of hay, the indolic smokiness of leather and civet (just a hint, but you definitely smell that little devil rambling beyond the base notes), and a subtle yet perfectly perceivable smooth touch of warm, sweet-powdery-musky floral notes with a shade of vanilla.

Now, it may seem a heavy or complex scent with a lot of nuances ranging from herbal, to smoky-leathery, to woody and sweet-powdery, but it isn’t really. Or well, it is complex indeed, but not too “powerful” at all. It’s a refined, almost tame fragrance, perfectly reflecting its name, delightfully gentle and discreet, cozy and elusive at the same time. It’s so well put-together that it smells perfectly crisp, bright, even fresher than it may seem despite there is many “dark” notes. Truly a perfect uplifting harmony by no means “heavy” to smell – on the contrary, extremely easy to wear and to like. It’s amazing how the notes are there, clear and rich, and yet this fragrance has a remarkably weightless presence on skin – it’s substantial, but really mannered.

Surely a “vintage gentleman’s scent”, probably one of the most sophisticated around, but quite unique and actually, maybe more modern than others, if not slightly more “youthful” too (maybe thanks to the “hippie touch” of patchouli). Needless to say it smells rich, persistent and clear for hours, with a perfect projection and an impeccable drydown which gets gently drier and woodier (that vetiver again!) as hours pass, still keeping a touch of floral muskiness lurking in the background. What else to say? An amazing modern classic of masculine elegance perfectly showing the old school French taste for “classy dirtiness”, that unique ability of many classic French masculine scents to smell refined and cozy still keeping it dirty, complex and even subtly “raw”. Fantastic.

9/10 

1 comment:

  1. Superb analysis of one of my personal and indeed Signature favourites of yesteryear.

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